- Guillaume Dufay. Se la face ay pale (Mass & Chanson)
- The Early Music Consort of London – David Munrow, dir.
Guillaume Dufay
- Gloria ad modum tubae
- Chanson: Se la face ay pale
- Original three-part version
- Keyboard version I (Buxheimer Orgelbuch)
- Keyboard version II (Buxheimer Orgelbuch)
- Four part instrumental version attributed to Dufay
Guillaume Dufay, Missa « Se la face ay pale »
- Kyrie
- Gloria
- Credo
- Sanctus
- Agnus
Intérpretes: The Early Music Consort of London: James Bowman (countertenor), Charles Brett (countertenor), Martyn Hill (tenor), Rogers Covey-Crump (tenor), Paul Elliott (tenor), Ian Thompson (tenor), Geoffrey Shaw (baritone), Maurice Bevan (baritone), Michael Laird (cornet), Alan Lumsden (cornet, sackbut), Roger Brenner (sackbut), Martin Nicholls (sackbut), David Munrow (shawm), James Tyler (viol, lute), Oliver Brookes (viol), Christopher Hogwood (harp, organ)
David Munrow, dir.
Duración: 45′ 10″
Lugar y fecha de grabación: Abbey Road Studios, London, UK [septiembre 1973]
medieval.org
25 de octubre de 2018 | Categorías: David Munrow, Renacentista, The Early Music Consort of London | Tags: David Munrow, Renacentista, The Early Music Consort of London | 8 comentarios
- The Pleasures of the Royal Courts
- The Early Music Consort of London – David Munrow
- The Courtly Art of the Trouvères
- Adam de la Halle (c.1237-c.1286): Tant con je vivrai
- Anon (13th century): La sexte estampie real
- Anon (13th century): Ductia
- Colin Muset (early 13th century): Quant je voy yver
- Adam de la Halle: Fines amouretes ai
- Anon (13th century): Souvent souspire mon cuer
- The Burgundian Court of Philip the Good
- M. Gulielmus (late 15th century): Falla con misuras
- Johannes Legrant (fl.c.1419-c.1446): Entre vous, noviaux mariés
- Dufay: Vergine bella
- The German Court of Emperor Maximilian
- Isaac: Isbruck, ich muß dich lassen (countertenor, recorder, fiddle, viol)
- Johann Weck (early 16th century): Spanyöler Tancz & Hopper Dancz
- Ludwig Senfl (c.1486-c.1543): Nun wöllt ihr hören neue Mär’
- Italian Music of the Medici Court
- Three carnival songs (c.1505):
- Paolo Scotto: o fallace speranza
- Jac. Fo.: Tua volsi esser sempre mai
- Joh. Bapt. Zesso: E quando andarete al monte
- Six anonymous polyphonic dances (early 16th century):
- Zorzi
- Pavana in passe e mezzo
- Saltarello de la pavana
- La Manfrolina
- El pomo de lo pomaro
- La rocha el fuso
- Marchetto Cara (d.c.1525): Non e tempo
- The Spanish Courts in the Early 16th Century
- Diego Ortiz (c.1525-c.1570): Recercadas primera y segunda
- Alonso (early 16th century): La tricotea Samartín
- Antonio de Cabezón (c.1510-1566): Diferencias sobre “La dama le demanda”
- Anon (early 16th century): Rodrigo Martines
- Juan del Encina (1468-c.1530): Ay triste que vengo
- Anon (early 16th century): Pase el agoa, ma Julieta
Intérpretes: The Early Music Consort of London : James Bowman (countertenor), David Munrow (recorders, gemshorn, crumhorns, kortholt, shawm, dulcian), Oliver Brookes (viol), Christopher Hogwood (harpsichord, harp, percussion), Mary Remnant (medieval fiddle, portative organ, tabor)
Duración: 46′
Lugar y fecha de grabación: Nueva York, USA [1976]
medieval.org
11 de agosto de 2016 | Categorías: David Munrow, Renacentista, The Early Music Consort of London | Tags: David Munrow, Renacentista, The Early Music Consort of London | 18 comentarios
Music for Ferdinand and Isabella of Spain – Instrumemts of the Middle Ages & Renaissance
The Early Music Consort of London – David Munrow, dir.
Anon.
- Dónde se sufre, JuanaAlonso (attr.)
- La tricotea sa’ Martín la vea
Carlo Verardi
- Viva el gran Re Don Fernando con la Reina Doña Isabella
Alonso de Alva
- Ut queant laxis
Pedro de Escobar
- Virgen bendita sin par
Luis de Milán
- Fantasia XI
Alonso de Mudarra
- Claros y frescos rios
Anon.:
- El cervel
Juan de Anchieta
- En memoria d’Alixandre
Anon.:
- Sola me dexaste – Minno amor, dexiste ay
Alonso de Mudara
- Tiento
Tomas de Santa Maria:
- Fantasias I
- Fantasia XI
- Fantasia XXV
Luis de Milán
- Aquel caballero, madre
Anon.
- L’amor, donna, ch’io te porto
Jusquin d’Ascanio (aka Josquin Desprez)
- In te Domini speravi
Anon.
- Guarda, donna, el mio tormento
Antonio de Cabezón
- Diferencias sobre la gallarda milanesa
Anon.
- Ave, Virgo, gratia plena
Pedro de Escobar
- Sumens illud
Anon.
- Dios te salve, cruz preciosa
Diego Ortiz
- Recercada quarta
- Recercada settima
Juan del Encina
- Triste España
Anon.
- Jançu, Janto
Rackett – Giorgio Mainerio: Il Primo Libro di Balli 1578
- Caro ortolano
Cornamuse – Antonio Gardane: Rhaw’s bicinia Gallica et latina 1545
- Bicinium: Le cuer de vous
Kortholt – Guillaume le Heurteur: Rhaw’s bicinia Gallica et latina 1545
- Bicinium: Mon petit cueur
Flute – Claudin de Sermisy: Attaingnant’s Second Book: Chansons musicales 1633
- Chanson: Amour me poingt
Recorder (a) 8′ Consort – Guillaume le Heurteur: Attaingnant’s Second Book: Chansons musicales 1633
- Chanson: Hellas ! Amour
Renaissance organ – Pedro de Soto
- Entrada réal
Harpsichord – Gionanni Salvatore, Naples MS
- Toccata
Alto & tenor cornett – Pierre de Machincourt: Rhaw’s bicinia Gallica et latina 1545
- Bicinium “Amor organ”
Mandora – Giorgio Mainerio: Il Primo Libro di Balli 1578
- Ballo Anglese
Vihuela – Luis de Milán: El Maestro, 1536
- Fantasia XI
Guitar – Anon.: Braye Lute Book c. 1560
- Pavana (Variation on the Romanesca)
Violin – Anon., 16th c.
- La Volta
Intérpretes: The Early Music Consort of London – David Munrow, dir.
Duración: 69′ 37″
Lugar y fecha de grabación: Abbey Road Studio, Londres, Inglaterra [mayo/1972]
medieval.org
14 de febrero de 2013 | Categorías: David Munrow, Renacentista, The Early Music Consort of London | Tags: David Munrow, Renacentista, The Early Music Consort of London | 8 comentarios
Medieval and Renaissance Sounds, vol 1 (LP)
David Munrow
Anon., France, 13th c.
- Danse royale
Anon., Scotland, ca 1250
- Dance tune
Anon., France, before 1316
- Motet: Vertias arpie
Anon., England, ca. 1270
- Gymel: Jesus Cristes Milde Moder
Anon., England, 15th c.
- Carol: Nowell, sing we
Trad,, England
- Piper’s fancy
Richard Coeur-de-Lion
- Ballade: Ja nuns hons pris
Anon., Italy 15th c.
- Saltarello
Anon., 16th c.
- Pistillon
Anon., 16 / 17th c.
- Alarm
R. Askue
- A Jig
Francis Cutting
- The Squirrel’s Toy
Pierre Certon:
- Bicinium: Je nose etre content
Anon., 17th c.
- Wat zalmen op den avond doen
Francesco Benusi
- Pavana: Desiderara
Music at Henry VIII’s Court
Henry VIII
- Helas madame
Anon.
- Si Fortune
- Consort
Henry VIII
- Tauder naken
- If love now reigned
- En vray amoure
Elizabethan Popular Tunes
Anon.
- La volta
- Kemp’s Jig
- Tower Hill
- A bergomask
- Bouffons
Renaissance Dances
Giorgio Mainerio
- Ungarescha
Michael Praetorius
- La bouree
Tielman Susato
- Basse danse: Bergeret sans roch
Tielman Susato
- Ronde mon amy
Anon.
- Galliard: La Rocha el fuso
Michael Praetorius
- Ballet des baccanales et des feus
Intérpretes: David Munrow (woodwind instruments: chinese shawm,bagpipes, flutes recorders, pipe and tabor, gemshorn, crumhorns, cornamuses, rauschpfeifen, dulcians, kortholts, racketts, nicolo shawm, garkleinflotlein), Gillian Reid (psaltery, medieval bells, percussion), Christopher Hogwood (regal, harpsichord)
Duración: 20′ 05″ + 24′ 37″ = 44′ 42″
Lugar y fecha de grabación: ? 1970 (publicación : 1980)
medieval.org
12 de abril de 2012 | Categorías: David Munrow, Medieval. Renacentista | Tags: David Munrow, Medieval. Renacentista | 5 comentarios
Instruments of the Middle Ages and Renaissance
The Early Music Consort – David Munrow, dir.
CD 1
Woodwind
Anon., Italy, 14th c.
1. Saltarello
Anon., Syria, Trad.
2. Sheperd’s tune
Anon., Italy, 14th c.
3. Saltarello
Guillaume de Machaut
Ballade: Dame se vous m’estes
Anon., France, 13th c.: Chansonnier Cangé
4. Pastourelle: Au temps d’aost
Anon., France, 13th c.: Chansonnier Cangé
5. Chanson à refrain: A prisai qu’en chantant plour
Master Alexander
6. Minnesinger melody: Owe daz nach liebe gat
Thibaut de Navarre
7. Chanson pieuse: Dou tres douz non a la Virge Marie
Jehannot de Lescurel
8. Virelai: Gracïeusette
Guiraut d’Espanha de Toloza
9. Dansa: Ben volgra, s’esser poges
Anon., ca 1300
10. English Te Deum
Colin Muset
11. Chansonnette: Quant je voy yver retorner
Keyboard
Vincenzo da Rimini
12. Madrigal: Ay schonsolato ed amoroso
Anon., England, ca 1320: Robertsbridge fragment
13. Estampie
Jehan d’Esquiri
14. Chanson: Joliveté et bone amor
Conrad Paumann
15. Ellend du hast
Brass
Hermann, monk of Salzburg
16. Fanfare: Untarn slap tut den sumer wol
Guillaume Dufay
Fanfare: Ad modum tubae
Gilbert de Berneville
17. Ballade: De moi doloreus vos chant
Hermann, monk of Salzburg
Das Nachthorn
Anon., Germany 1349
Geisslerlied: Maria muoter rein¨ maït
Hermann, monk of Salzburg
Der trumpet
Strings
Anon., France, 13th c.: Chansonnier Cangé
18. Lai: Qui porroit un guierredon
Tassin (attr.)
Dance tune
Anon., 11th c.
19. Goliard melody: O Roma nobilis
Anon., Ornkey Isles, 12th c.
20. Hymn to St. Magnus: Nobilis humilis
Jacopo da Bologna
21. Madrigal: Tanto soavamente
22. Madrigal: Di nuovo é giunto
Thibaut de Blason
23. Chanson: Amours que porra
Alfonso el Sabio (attr.): Cantigas de Santa Maria
24. Cantiga 249: Aquel que de voontade Santa Maria servir,
Guillaume de Machaut
25. Virelai: Quant je sui mis
Anon. 13th c.
26. English Dance
Anon., France, 13th c.
27. La Septime estampie real
Francesco Landini
28. Ballata: Poi che da te mi convien
Guillaume de Machaut
29. Virelai: Comment qu’a moy
Anon., France, early 14th c.: Roman de Fauvel
30. Improvised fanfare
Motet: Quant ie le voy – Bon vin – Cis chans veult boire
CD 2
Percussion (medieval and renaissance)
Samuel Voelckel: Newe touche weltliche
31. Courante I
Courante II
Curtal – Tielman Susato
32. Chanson: Ce qui souloit
Courtaut
Giorgio Mainerio: Il Primo Libro di Balli 1578
33. Caro ortolano
Johann Schein: Banchetto Musicale 1617
34. Padouana
Antonio Gardane: Rhaw’s bicinia Gallica et latina 1545
35. Bicinium: Le cuer de vous
Guillaume le Heurteur: Rhaw’s bicinia Gallica et latina 1545
36. Bicinium: Mon petit cueur
Michael Praetorius: Terpsichore 1612
37. Branle double I
Branle double II
Branle double III
Claudin de Sermisy: Attaingnant’s Second Book: Chansons musicales 1633
38. Chanson: Amour me poingt
Guillaume le Heurteur: Attaingnant’s Second Book: Chansons musicales 1633
39. Chanson: Hellas ! Amour
Anthony Holborne: Pavans, Galliards, Allmains and other short aeirs 1599
40. The Fairie Rounde
Keyboard
Pedro de Soto
41. Entrada réal
Conrad Paumann: Fundamentum
42. (a) Prelude: Ascensus simplex
Regal – Anon., Germany, 15th c.: Buxheim Orgelbuch
(b) Min Hertz hat sich seb gefröwet
Gionanni Salvatore, Naples MS
43. Toccata
Anon., 16th c.: Dublin Virginal Book c. 1570
44. Variation on the Romanesca
Giorgio Mainerio: Il Primo Libro di Balli 1578
45. Ballo Francese
Brass
Claudio Monteverdi: Orfeo 1607
46. Toccata
Toccata
Heinrich Biber: Sonata for trombone, two violins and continuo
47. Adagio and Allegro
Michael Praetorius: Musae Sionae IV
Lobt Gott ihr Christen alle gleich
Girolamo Frescobaldi: Canzoni da sonare, 1634
48. Canzona for “due canti”
Pierre de Machincourt: Rhaw’s bicinia Gallica et latina 1545
49. Bicinium “Amor organ”
Girolamo Frescobaldi: Canzoni da sonare, 1634
50. Canzona Quarta for “basso solo”
Strings
John Dowland
51. Orlando Sleepeth
Thomas Mace: Musick’s Monument 1676
52. A Fancy – Prelude or Voluntary
Giorgio Mainerio: Il Primo Libro di Balli 1578
53. Ballo Anglese
Anthony Holborne: The Cittharn Schoole
54. Galliarde for cittern and bass
Alessandro Piccini: Intavolatura di Liuto, et di Chitarrone
55. Toccata prima
John Dowland, Braye bandora MS, c. 1600:
56. Galliard
Jane Pickering’s Lute Book
57. Duet “Le Rossignol”
Luis de Milán: El Maestro, 1536
58. Fantasia XI
Anon.: Braye Lute Book c. 1560
59. Pavana (Variation on the Romanesca)
(a) Viol (consort) – William Byrd:
60. Fantasy in four parts
Thomas Ford:
Duet “Forget me not”
Anon., 16th c.
61. La Volta
Intérpretes: The Early Music Consort of London . Andrew van der Beek (alto cornamuse, alto crumhorn, bass curtal, tenor kortholt, great-bass rackett, alto recorder, great-bass recorder, soprano rauschpfeife), Paul Bernard (organ), Roger Brenner (sackbutt, tenor sackbutt), Oliver Brookes (bass crumhorn, bowed lyre, alto rauschpfeife, bass rebec, bass recorder, tenor recoder, tromba marina, viol, bass viol, violone), David Corkhill (dulcimer, side drum, kettledrums, nakers, tabor, tambourin, mediaeval triangle with rings, xylophone), Christopher Hogwood (fretted clavichord, harp, irish harp, harpsichord, hurdy-gurdy, organ, portative organ, regal, tabor, virginal), Trevor Jones (bass viol), Michael Laird (buisine, clarion, cornett, alto cornett, mediaeval cornett, soprano sackbutt, natural trumpet), Alan Lumsden (cowhorn, tenor cornett, tenor flute, quart-bass rackett, quart-bass recorder, soprano recorder, tenor sackbutt, serpent, oriental trumpet, slide trumpet), Catherine Mackintosh (treble viol), David Munrow (soprano cornamuse, bass courtaut, alto crumhorn, soprano curtal, tenor curtal, flute, alto flute, alto gemshorn, bass kortholt, reed pipe, bagpipes, bladder pipes, six-holed pipe, double pipes, pipe, tenor rackett, sopranino rauschpfeife, alto recorder, tenor recorder, alto shawm, oriental shawm, soprano shawm, tenor shawm, tabor), Martin Nichols (bass sackbutt), Nigel North (bass viol), Gillian Reid (chimes bells, harp with “bray” pins, psaltery), Mary Remnant (gittern), Jane Ryan (bass viol), Eleanor Sloan (lyre, fiddle, treble rebec, violin), Malcolm Smith (natural trumpet), Robert Spencer (bandora, chitarrone, guitar, lute), John Turner (alto flute, panpipes, bass rackett, bass recorder, soprano recorder), James Tyler (ceterone, citole, cittern, tenor crumhorn, bass flute, jew’s harp, lute, long-necked lute, mandora, orpharion, soprano rauschpfeife, tenor recorder, tambourine, theorbo, vihuela, tenor viol), Polly Waterfied (violin), Iaan Wilson (buisine, cornett)
David Munrow, dir.
Duración: 51′ 12″ + 58′ 12″ = 1h 49′ 24″
Lugar y fecha de grabación : Abbey Road Studio, Londres, [marzo, abril, septiembre, 1973, febrero /1974]
medieval.org
11 de febrero de 2011 | Categorías: David Munrow, Medieval. Renacentista, The Early Music Consort of London | Tags: David Munrow, Medieval. Renacentista, The Early Music Consort of London | 4 comentarios
Early Music Festival – Ein Fest mit Alter Musik – Festival de Musique ancienne
- The Early Music Consort of London – David Munrow, dir. (CD-1) and Musica Reservata – Michael Morrow, dir. & John Beckett, cond. (CD-2)
CD1
Ecco la primavera
Florentine music of the 14th century
The Early Music Consort of London – David Munrow, dir.
Francesco Landini:
1. Ballata: Ecco la primavera
Anon.:
2. Lamento di Tristan
Francesco Landini:
3. Ballata: Giunta vaga bilta
4. Ballata: Questa fanciulla, Amor
Anon.:
5. Trotto
Francesco Landini:
6. Canonic madrigal: De dinmi tu
Magister Piero:
7. Caccia: Con dolce brama
Anon.:
8. Saltarello
9. Saltarello II
Antonio Zacharia de Terano:
10. Organ: Rosetta
Anon.:
11. Canonic madrigal: Quan je voy le duc
Francesco Landini:
12. Cara mie donna
13. La bionda treccia
Anon.:
14. La Manfredina
Francesco Landini:
15. Ballata: Donna’l tuo partimento
Giovani da Firenze:
16. Caccia: Con brachi assai
Anon.:
17. Istampitta Ghaetta
Lorenzo di Firenze:
18. Madrigal: Da, da, a chi avareggia
Jacopo da Bologna:
19. Fenice fu
Anon.:
20. Biance flour
Intérpretes: The Early Music Consort of London [James Bowman (counter-tenor), Nigel Rogers (tenor), Martyn Hill (tenor), Oliver Brookes (bass viol), Mary Remnant (treble rebec, fiddle), Robert Spencer (lute), Christopher Hogwood (organ, harp, percussion), Alan Lumsden (tenor sackbut), David Munrow (recorders, soprano & alto crumhorn, tenor shawm)] – David Munrow, dir.
Duración: 51′ 12″
Lugar y fecha de grabación: Londres [04-05/1969]
CD2
A Florentine Festival
Musica Reservata – Michael Morrow, dir. & John Beckett, cond.
Claudio Monteverdi: Orfeo
1. Toccata
Luca Marenzio: Secundo intermedio
2. Sinfonia
3. Belle ne fe’ natura
4. Chi dal delfino
5. Se nelle voci nostre
6. O figlie di Piero
Cristofanno Malvezzi & Emilio de’ Cavalieri: Sesto intermedio
7. Dal vago e bel sereno
8. O qual risplende nube
9. Godi turba mortal
10. O fortunato giorno
11. O che nuevo miracolo
Constanzo Festa:
12. Quando ritrova
Anon.:
13. Allemana-ripresa: Quandi ritrova
Bartolomeo Trombocino:
14. Io son l’ocello
Anon.:
15. Pavana: La cornetta
16. Gagliarda: Giorgio
Gian Domenico da Nola:
17. Tri ciechi siamo
Marco Cara:
18. Io non compro
Anon.:
19. Ahimè sospiri
20. Pavana: Forze d’Ercole
21. Orsù, orsù, car’ Signori
22. Pavana: Le Colognese
23. Dance songs: Era di Maggio
24. Dance songs: El marchese di Saluzzo
25. Dance songs: In questo ballo
26. Dance songs: Noi ci vogliam’ partire
27. Dance songs: Bussa la porta
28. Dance songs: La pastorella
29. Dance songs: E su quel monte
30. Dance songs: Maggio valente
31. Dance songs: Sorella mia piacente
Intérpretes: Musica Reservata [Jantina Noorman (mezzo-soprano), Grayston Burgess (countertenor), Nigel Rogers (tenor), John Frost (baritone)] – Michael Morrow, dir. & John Beckett, cond.
Duración: 53′ 07″
Lugar y fecha de grabación: Kingsway Hall, Londres [05-08/1968]
medieval.org
20 de agosto de 2010 | Categorías: David Munrow, Musica Reservata, Renacentista, The Early Music Consort of London | Tags: David Munrow, Musica Reservata, Renacentista, The Early Music Consort of London | 11 comentarios

- Renaissance Dance
- Susato – Morley – Praetorius – Mainerio
- The Early Music Consort of London – David Munrow, dir.
CD-1
Tylman Susato: Twelve Dances from the “Danserye”
- La Mourisque
- Branle quatre
- Ronde & Salterelle
- Ronde mon amy
- Allemaigne & Recoupe
- Pavane Mille regretz
- Basse danse Bergeret sans roch & Reprise
- Danse du roy
- Ronde
- Passe et medio & Reprise
- Ronde
- Pavane La Bataille
Thomas Morley: Dances for Broken Consort from “The First Booke of Consort Lessons” (1599)
- Mounsier’sAlmaine (William Byrd)
- Lachrimae Pavan (John Dowland)
- Michill’s Galliard (Anon.)
- Lute Duet: My Lord Chamberlain’s Galliard (John Dowland)
- The Jew’s Dance (Richard Nicholson)
- Captaine Piper’s Pavan & Galliard (John Dowland)
- My Lord of Oxenford’s Maske (William Byrd)
- Lavolto (Thomas Morley)
- La Coranta (Thomas Morley)
CD-2
Michael Praetorius: Dances from Terpsichore
- Passamezze (CCLXXXVI a 6)
- Spagnoletta (XXVII a 4)
- La Bourée (XXXII a 4)
- Pavane de Spaigne (XXX a 4)
- Courante de M.M. Wustrow (CL a 4)
- Suite de ballets: Ballet des Baccanales (CCLXXVIII a 4)
Ballet des matelotz (CCLXXX a 4)
Ballet des coqs (CCLIV a 5)
- Gaillard: Reprinse secundam interoirem (CCCX a 4)
- La Sarabande (XXXIV a 4)
- Suite de Voltes 1 (CCXLIII a 4)
Suite de Voltes 2 (CCX a 5
Suite de Voltes 3 (CCXI a 5)
Suite de Voltes 4 (CCI a 5
- Giorgio Mainerio: Il primo libro di balli (1578)
- Pass’e mezo della paganina
- Ballo francese
- La lavandera
- L’arboscello ballo furlano
- La zanetta
Gioseffo Guami: Canzoni per sonar
- Canzona a 8
Pietro Lappi: Canzoni per sonar
- La negrona
Giovanni Priuli: Sacrorum concentuum
- Canzona prima a 12
- Mainerio: Il primo libro di balli (1578)
- Pass’e mezzo moderno
- Ballo anglese
- Schirazula marazula
- Ongarescha
- Tedescha
Intérpretes: The Early Music Consort of London: James Bowman (counter-tenor), Martyn Hill (tenor), Paul Elliott (tenor), Michael Laird (cornett), Ian Wilson (cornett), Graham Whiting (cornett), Alan Lumsden (cornett, sackbut, recorder), Roger Brenner (sackbut), Peter Goodwin (sackbut), Paul Beer (sackbut), Martin Nichols (sackbut), John Turner (recorder, flute, crumhorn, rauschpfeiffen), David Pugsley (recorder, flute crumhorn), Andrew van der Beek (recorder, crumhorn, rackett, dulcian, rauschpfeiffen), James Tyler (flute, crumhorn, viol, mandora, cittern), David Munrow (crumhorn, shawm), Oliver Brookes (crumhorn, viol, violone), Simon Standage (violin), Eleanor Sloan (violin), Polly Waterfield (violin, viola, viol), Trevor Jones (viol), Jane Ryan (viol), Nigel North (viol, lute, chitarrone, baroque guitar), Christopher Hogwood (hasrpsichord, regal, organ), Nicholas Kraemer (organ), David Corkhill (percussion)
David Munrow, dir.
Duración: 52′ 33′‘ + 50′ 59”
Fecha de publicación: 2006
Lugares y fechas de grabación: All Saint’s Church, Tooting, London [01-02/1971]. Abbey Road Studios, London, UK [12/1973] [11/1975

6 de abril de 2009 | Categorías: David Munrow, Renacentista, The Early Music Consort of London | Tags: David Munrow, Renacentista, The Early Music Consort of London | 4 comentarios