Hilliard Ensemble

Les Tres Riches Heures du Moyen Age . A Medieval Journey – Various performers

    CD-5
    Le Siècle de l’Ars Nova – Ars Nova and the Fourteenth Century

    Anon., Le Roman de Fauvel

  1. In mari miserie
  2. Vers 149-168
  3. Ad solitum vomitum
  4. Porchier miex estre – Vers 259-280
  5. J’ai fait nouveletement
  6. Quoniam secta latronum
  7. Vers 5905-5926 Mario, virgo virginum
  8. Vers 6023-6050
  9. Quare fremuerunt
  10. Anon., Missa “Tournai”

  11. Kyrie
  12. Gloria in exelcis Deo
  13. Préface – Sanctus
  14. Agnus Dei
  15. Guillaume de Machaut, Codex Faenza

  16. De toutes flours
  17. Honte, paour, doubtance
  18. Honte, paour, doubtance (instr.)
  19. Francesco Landini, Codex Faenza

  20. Che pena è quest’al cor
  21. Bartholino da Padova, Codex Faenza

  22. Imperiale sedendo fra più stelle
  23. Baude Cordier, Codex Chantilly

  24. Tout par compas
  25. Belle, bonne sage
  26. Solage, Codex Chantilly

  27. Fumeux fume par fumée
  28. Guido, Codex Chantilly

  29. Or voit tout
  30. Anon., England, 14th c.

  31. Motet: Campanis cum cymbalis – Honoremus Dominam
  32. Anon., England, early 14th c.

  33. Mater ora flium
  34. Anon., England, end of 13th c. – early 14th c.

  35. Gymel: Edi be thu
  36. Anon. England, 14th c.

  37. Chant: Gabriel fram heven-king
  38. Anon., England, 14th c.

  39. Pièce: Gaude Virgo mater Christi

Intérpretes:  Clemencic Consort – René Clemencic, dir. 
 Ensemble Organum:Josep Benet (tenor), Patrick Aubailly (tenor), Frédéric Richard, Josep Cabré (baritone), Marcel Pérès (baritone), Malcolm Bothwell (bass), Antoine Sicot (bass), Marcel Pérès, dir
 Ensemble Organum: Marcel Pérès (clavicythérium), Gérard Lesne (counter-tenor), Josep Benet (tenor), Josep Cabré (baritone), Malcolm Bothwell (bass)Marcel Pérès, dir.
 Ensemble Organum: Gérard Lesne (countertenor), Josep Benet (tenor), Josep Cabré (baritone), François Fauché (bass), Nanneke Schaap (vielle), Marcel Pérès (clavicythérium), Marcel Pérès 
 Hilliard Ensemble – Paul Hillier

Duración: 77′ 13″

Lugares y fecha de grabación: Unknown [11/1975],  Abbaye-aux-Dames, Saintes, France [11/1990] Unknown [10/1990];Unknown [09/1986];St-Jude-on-the-Hill, U.K. [09/1984]

    CD-6
    À l’Aube de la Renaissance (XVe siècle) – The Dawn of the Renaissance (15th Century)

    Johannes Ciconia

  1. Ligiadra donna
  2. Anon.

  3. Carol: Alleluya: A nywe werke
  4. Carol: Ecce quod natura
  5. Carol: Nowel: Owt of your slepe aryse
  6. John Plummer

  7. Anna Mater Matris Christ
  8. Forest

  9. Tota pulcra es amica mea
  10. Anon, England, Medieval

  11. Conductus: O Maria stella maris
  12. Anon., England, Medieval

  13. Sequence: Salve virgo secularis
  14. Motet: Veni mater gracie / Dou way, Robin
  15. Anon., Codex Colombina

  16. Propiñan de Melyor (instr.)
  17. Anon., Perugia MS 36

  18. Instrumental piece
  19. Anon., Canti B

  20. La Spagna (instr.)
  21. Francisco de la Torre

  22. La Spagna
  23. Johannes Ockeghem Requiem

  24. Introit: Requiem eternam dona eis Domine
  25. Kyrie
  26. Tractus: Sicut servus desiderat ad fontes aquarum
  27. Antonius Divitis

  28. Sanctus
  29. Marco da L’Aquila

  30. Ricercar: L’autre jour
  31. Nous bergiers
  32. Ricercar No 33
  33. Il est bel et bon

Intérpretes: The Newberry Consort: David Douglass (viol, rebec), Judith Malafronte (mezzo-soprano), Kevin Mason (lute), Drew Minter (countertenor), Mary Springfels (citole, lute, vielle) – Mary Springfels dir
 Anonymous 4:  Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose
Hilliard Ensemble: Ashley Stafford (counter-tenor), Paul Elliott (tenor), Rogers Covey-Crump (tenor), Leigh Nixon (tenor), Paul Hillier (bass) 
His Majestie’s Clerkes: Paul Hillier, Thomas Nodine, Randolph Petilos, Jeffrey Strauss, David Stutz, Peter Becker, Drew Minter.
 Ensemble Organum: Josep Benet (tenor), Malcolm Bothwell (tenor), Josep Cabré (baritone), Stephan van Dyck (baritone), Stephen Grant (bass), Marcel Pérès (bass – chant), Antoine Sicot (bass)
 Paul O’Dette.

Duración: 75′ 22″

Lugar y fecha de grabación: Skywalker Sound, Nicasio, CA, USA [09/1990; Campion Center, Boston, MA, USA [11/1992]; Unknown [09/1982]; The Priory Church of St. Mary and St. Blaise, Boxgrove, Chichester, U.K. [10/1994]; Unknown [11/1991]; Grand Réfectoire de l’Abbaye de Fontevraud, France [11/1992]; [September 1990 & February 1992]

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Palestrina: Canticum canticorum: Motets Book IV / Spiritual Madrigals – Hilliard Ensemble

Palestrina: Canticum canticorum: Motets Book IV / Spiritual Madrigals
    Hilliard Ensemble – Paul Hillier
 

CD 1
      Canticum canticorum
   1. Osculetur me
   2. Trahe me
   3. Nigra sum
   4. Vineam meam non custodivi
   5. Si ignoras
   6. Pulchrae sunt genae ruae
   7. Fas ciculus myrrae
   8. Ecce tu pulchre es
   9. Tota pulchra es
  10. Vulnerasti cor meum
  11. Sicut lilium inter spinas
  12. Introduxit me Rex
  13. Laeua ejus
  14. Vox dilecti mei
  15. Surge, propera
  16. Surge, anima mea
  17. Dilectus meus mihi
  18. Surgam et circuibo civitatem

CD 2
   1. Adjuro vos
   2. Caput ejus
   3. Dilectus meus descendit
   4. Pulchra es
   5. Quae es ista
   6. Descendi in hortum nucum
   7. Quam pulchri sunt
   8. Duo ubera tua
   9. Quam pulchra es
  10. Guttur tuum
  11. Veni, dilecte mi

      Spiritual Madrigals
  12. Vergine bella, che di sol vestita
  13. Vergine saggia, e del bel numer’una
  14. Vergine pura, d’ogni part’intiera
  15. Vergine santa, d’ogni gratia piena
  16. Vergine sol’al mondo senza esempio
  17. Vergine chiara e stabile in eterno
  18. Vergine, quante lagrim’ho già sparte
  19. Vergine, tal è terra e post’ha in doglia

Intérpretes:  Gillian Fisher, soprano; Lynne Dawson, soprano; David James, countertenor; Michael Chance, countertenor; Rogers Covey-Crump, tenor; John Potter, tenor; Paul Hillier, baritone; Michael George, bass.
Paul Hillier direction

Duración:  45′ 22″ + 60′ 29″

Lugar y fecha de grabación: Abbey Road Studio nº 1, Londres, R.U.[noviembre, 1984]


English and Italian Renaissance Madrigals – Hilliard Ensemble

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English and Italian Renaissance Madrigals
Hilliard Ensemble


CD 1 Italian Renaissance Madrigals

Giovanni Giacomo Gastoldi (c.1550s-c.1622)
1. Cantiam lieti cantiamo
Antonio Caprioli (fl.c.1500)
2. E d’un bel matin d’amore
3. Quella bella e biancha mano
4. Una leggiadra nimpha
Loyset Compère (c.1445-1518)
5. Venite amanti insieme
Philippe Verdelot (c.1480/1490-before 1552)
6. Divini occhi sereni
7. Con l’angelico riso
8. Madonna, il tuo bel viso
9. Fuggi, fuggi, cor mio
10. Si liet’e grata morte
Jacques Arcadelt (c.1505-1568)
11. Se la dura durezza
12. Ahimè, ahimè, dov’è `l bel viso
13. Madonna, s’io v’offendo
14. Il bianco e dolce cigno
Francesco Patavino (fl.c.1500)
15. Donne, venete al ballo
Maddalena Casulana (c.1540-fl.1566/1583)
16. Morir non può il mio cuore
Luca Marenzio (1553/54-1599)
17. Se la mia vita
Cipriano da Rore (1515/16-1565)
18. Mia benigna fortuna
19. Ancor che col partire
20. O sonno
Giovan Domenico da Nola (c.1510/1520-1592)
21. Chi la gagliarda
Adrian Willaert (c.1490-1562)
22. Madonna mia fa
Giovan Domenico da Nola
23. Medici noi siamo
Vincenzo Bell’Haver (d.1587)
24. Quando sarà mai quel zorno
Orlando di Lasso (1532-1594)
25. Matona, mia cara
Giovan Domenico da Nola
26. Tri ciechi siamo

CD 2 English Madrigals

1. Morley:
1. O greefe even on the Bud (à 5)
2. When loe by breake of morning (à 2)
3. Aprill is in my Mistris face (à 4)
Weelkes:
Thule, the period of Cosmographie (à 6)
4. (first part)
5. (second part)
Morley:
6. Sweet nimphe come to thy lover (à 2)
Wilbye:
Sweet hony sucking bees (à 5)
7. (first part)
8. (second part)
Morley: 9. Miraculous love’s wounding (à 2)
Wilbye:
10. Adew sweet Amarillis (à 4)
Bennet:
11. Weepe o mine eyes (à 4)
Gibbons:
12. The silver Swanne (à 5)
Weelkes:
O Care thou wilt dispatch mee (à 5)
13. (first part)
14. (second part)
Weelkes: 15-Since Roben Hood (à 3)
Morley:
16. Fyre and lightning (à 2)
Weelkes:
17. Strike it up Tabor (à 3)
Tomkins:
18. See, see, the shepheards Queene (à 5)
Ward:
19. Come sable night (à 6)
Vautor:
20. Sweet Suffolke Owle (à 5)
Morley:
21. In nets of golden wyers (à 2)
Wilbye:
22. Draw on sweet night (à 6)


Intérpretes: CD 1: David James (countertenor), Rogers Covey-Crump (tenor), John Potter (tenor), Gordon Jones (bass)
CD 2: Lynne Dawson (soprano), Gillian Fisher (soprano), David James (alto), Rogers Covey-Crump (tenor), John Potter (tenor), Paul Hillier (bass)

Duración: 71′- 55′

Lugar y fecha de grabación: Studio, Abbey Road, Londres [Abril 1991] – [Mayo 1987]

medieval.org CD1
medieval.org CD2