Stella Splendens – Milargo
Stella Splendens
Milargo
01. Como Posen Per Sas Culpas
02. Bailemos Nos Ja Todas
03. Belle, Veullies Moy Retenir
04. A Que Por Muy Gran Fremosura
05. Hayl Mary
06. Ja Nun Hons Pris
07. My Wofull Hert
08. Stella Splendens
09. Cruel Sister
Intérpretes: Petra Schauman, Anna Grundström, Sanna Jacksen, Leena Marjaana y Tiina Markkanen.
Duración:
Fecha y lugar de la grabación : [2012]
Perugia. Secular Works – The Medieval Ensemble of London
- Perugia. Secular Works
- The Medieval Ensemble of London – Peter & Timothy Davies
- Matteo da Perugia
- Sera quel zorno mai (ballata)
- Dame que j’aym (virelai)
- Pres du soleoil (ballade)
- Dame d’honour (rondeau)
- Dame souvrayne (virelai)
- Trover ne puis (rondeau)
- Pour bel accueil (rondeau)
- Ne me chaut (virelai)
- Se je me plaing (ballade)
- Belle sans per (virelai)
- Helas merci (rondeau)
- Gia da rete d’amor (ballata)
Intérpretes: The Medieval Ensemble of London: Peter & Timothy Davies, dirs.
Timothy Penrose (countertenor), John Elwes (tenor), Paul Hillier (baritone), Peter Davies (flute, recorder, cornemuse), Timothy Davies (lute, mandora), Robert Cooper (fiddle, rebec)
Duración: 50′ 50″
Lugar y fecha de grabación : Londres. U.K. [1979 ]
medieval.org
Insula felix – Ordo virtutum
- Insula felix – Inselkloster Reichenau
- Geistig-kulturelles Zentrum des Mittelalterlichen Europa
Ordo virtutum – Stefan Johannes Morent, dir.
- Anon.
- Trope from Stephanus-Introitus: Et enim sederunt principes
- Sequence: Veni spiritus aeternorum alme
- Melodiemodell: Occidentana (instr.)
- Sequence: Pangat ymnum Augiensis (De Sancto Ianuario)
- Sequence: Sancti martyris festum (De Santo Marco)
- Gorio fuor ze malo (Georgslied)
- Melodiemodell: Cignea (instr.)
- Antiphon: Venerandi patris Uodolrici & Magnificat (In Evangelium)
- Invitatory: Adoremus regem Christum & Venite exultemus
- Responsory: Beatissimi pontificis (in primo nocturno)
- Responsory: Miris magnorum (ad primas vesperas)
- Responsory: Post sancti patris obitum (in primo nocturno)
- Responsory: Confessor Domini (in tertio nocturno)
- Marian antiphon: Salve regina
- Melodiemodell: Puella turbata (instr.)
- Sequence: Cantemus cuncti melodium
- Versus in laude felicis Augiæ: Musa nostrum plange
Anon., Reichenau, 11th c.
Anon.
Anon., Rheinau
Anon., Reichenau
Anon., Reichenau?, Prüm?, (9-10th c.)
Anon.
Bern von Reichenau (ca 978-1048)
Gregorian
Gregorian
Hernannus Contractus (der Lahme, 1013-1054)
Gregorian
Gregorian
Hernannus Contractus ?
Anon.
Anon., southern Germany, 10th c.
Walahfried Strabo (808-849)
iNTÉRPRETES: Ordo virtutum: Hubert Mayer (voice), Jörg Rieger (voice), Alexander Yudenkov (voice), Susanne Ansord (vielle), Stefan Johannnes Morant (voice, harp, lyre, portativ organ)
Stefan Johannes Morent, dir.
Duración: 68′ 08″
Lugar y fecha de grabación: St. Georgkirche, Oberzell, Reichenau [septiembre 2009]
medieval.org
sonusantiqva.org
Maiden, Mother, Muse – New Orleans Musica da Camera
- Maiden, Mother, Muse. Women in the Cantigas
- New Orleans Musica da Camera – Milton Scheuermann & Thaïs St. Julien
- Prologo: Porque trobar (voice, instruments)
- CSM 59: Quena Virgen ben servir (ensemble)
- CSM 118: Fazer pode (vielle, harp)
- CSM 94: De vergonna nos guardar (ensemble)
- CSM 89: A madre de deus (lute)
- CSM 7: Santa Maria amar (voice, ensemble)
- CSM 10: Rosa das rosas (choir, bells)
- CSM 260: Dized’ ai, trobadores (instrumental)
- CSM 216: O que en Santa Maria (instrumental)
- CSM 179: Ben sab’ (instrumental)
- CSM 256: Quen na Virgen groriosa (ensemble)
- CSM 58: De muitas guisas (recorder, vielle)
- CSM 18: Por nos de dulta tirar (voice, ensemble)
- CSM 79: Ay, Santa Maria (instrumental)
- CSM 300: Muito deveria (ensemble)
Intérpretes: New Orleans Musica da Camera: Milton G. Scheuermann (recorders, gemshorn, kortholt, symphonia, bells), Stuart LeBlanc (citole, lute), Bryce Reveley (harp), Michael Relland (vielle), James Clark (percussion); Vox Feminæ: Thaïs St. Julien (choral director, voice), Cheryl Dring (assistant director, voice), Jodie Dunnick McWilliams (voice), Linda Ruth Park (voice), Carla Pendergrass (voice), Elizabeth Schneller (voice), Missy Crane Worden (voice)
Duración: 72′
Lugar y fecha de la grabación: De La Ronde Hall, Baton Rouge, Louisiana. EE.UU. [enero 1998]
medieval.org
sonusantiqva.org
Between March and April – The Sherwood Consort
- Between March and April
- Music of Medieval England
The Sherwood Consort – Mary Devlin
- Say me, viit in the brom
- Ar ne kuth ich sorge non
- I must go walke the wood so wilde
- Stantipes
- Me lykyth ever
- Danger me hath unskylfully
- I rede that thu be joly and glad
- Trewe, on wham is al my tryst
- Ductia
- I have set my hert so hy
- Miri it is whil sumer ilast
- Worldes blis
- Ye have so longe keepyt O
- Nobilis humilis
- Dance
- Fuweles in the frith
- Bryd one brere
- Gabriel from hevene-king
- Stantipes imperfecta
- Sumer is icumen in
- Wynter wakeneth al my care
- Missal Estampie
- Bituene Mersh and Averill
Intérpretes: Margaret Davis (harp, recorders, voice), Mary Devlin (voice, lute, gittern, small Pictish harp), Thomas K. Dye (bagpipes, percussion, voice), Leyla Shira Kammen (vielle), Paul Keaton (voice), Lee McRae (portative organ, recorder), Nannette Silva (voice), Victoria Varieur (voice), Renée Fladen-Kamm (vocal director)
Duración: 51′
Lugar y fecha de grabacion: San Francisco, U.S.A. [enero- abril 1996]
medieval.org
Cantus Gallicanus – Schola Trunchiniensis
Cantus Gallicanus
Schola Trunchiniensis
01. Gloria
02. Scapulis suis
03. In exitu Israel
04. Adoremus regem apostolorum
05. Credimus
06. Popule meus
07. O quando in cruce
08. Pater noster
09. Vos vocatis me
10. Cena facta
11. Emitte spiritum
12. Ante diem festum
13. Domine, prevenisti
14. Gloria
15. Surrexit Dominus
16. Ascendens Christus
17. Pater noster
18. Pange, lingua
19. Si ego, dominus
20. Exurge, domine
21. Virgo hodie fidelis
22. Intern natos mulierum
23. Pluchra es
24. Cum inducerent
25. Hodie Christus natus est
26. Solem iusticie
27. Gloria
28. Angelis suis
Intérpretes: Schola Trunchiniensis: Jos Bielem, Kurt Bikkembergs, Herman Buyle, Joachim Kelecom, Ronny Plovie, Hendrik vanden Abeele, Frans Mariman, dir.
Duración: 74:52
Lugar y fecha de grabación: Irish College, Lovaina, Bélgica [noviembre 2001]
Douce Dame – Music of Courtly Love from Medieval France and Italy (Lp) – The Waverly Consort
- Douce Dame – Music of Courtly Love from Medieval France and Italy (Lp)
- The Waverly Consort – Michael Jaffee, dir.
- Guillaume de Machaut:
- Douce dame jolie
- Oseletto salvazo
- Comment qu’à moy
- Foys porter
- Je sui aussi
- Lamento di Tristan (instr.)
- Rotta (instr.)
- Ecco la primavera
- Par maintes foys
- Apposte messe
- Or sus, vous dormez trop (instr.)
- Rose, liz, printemps
- Istampitta Isabella (instr.)
Jacopo da Bologna
Guillaume de Machaut:
Anon.:
Francesco Landini:
Jean Vaillant:
Lorenzo da Firenze:
Anon.:
Guillaume de Machaut:
Anon.:
Intérpretes: The Waverly Consort: Joan Summers (soprano), Jan deGaetani (mezzo-soprano), Constantine Cassolas (tenor), Alan Barker (baritone), Lycy Bardo (vielle), Kay Jaffee (recorder, harp, organetto), Sally Logemann (shawm, recorder), Judith Davidoff (kamanja, vielle), Michael Jaffee (lute, psaltery), George Mgrdichian (oud) – Michael Jaffee, dir.
Duración: : 44′ 55″
Lugar y fecha de grabación: Vanguard’s 23rd Street Studio, New-York, NY, USA [junio 1973]
medieval.org
